8th November 2014
Global Akhanda Bhajan, the timeless intonation promoting Universal Peace and Harmony is one of the most significant and far-reaching annual spiritual exercise initiated by Bhagawan way back in the mid forties.
Ever since, every second week-end of the month of November has been a fixed schedule for this 24 hour marathon non-stop bhajan saga.
The Akhanda Bhajan had its origin way back in 1945, started in Bangalore by a group of eight families. Upon the culmination of the year-long Thursday bhajans, they had been conducting quite regularly from 1944, during the World War II time, the group of eight families showed up to Bhagawan in Puttaparthi seeking blessings for conducting bhajans. The Divine Visionary that He is, Bhagawan blessed the group, praising the idea of bhajan singing and named it Akhanda Bhajan. Bhagawan even promised the group that He would bless the same with His physical presence. This grand Spiritual exercise has been going on uninterrupted ever since and the years that passed had been fortunate to have the spirited physical presence of Bhagawan during the occasion.
Global Akhanda Bhajans 2014 – Commencement
Akhanda Bhajan 2014 – Concluding Session
9th November 2014
“Today we are having the Akhanda Bhajan. This is being done not for the sake of one individual, one nation or one community. It is for the welfare of humanity as a whole.
The bhajans that are sung permeate the ether in the form of sound waves and fill the entire atmosphere. Thereby, the whole environment is purified. Breathing in this purified atmosphere, our hearts get purified. Reciting the Lord’s name is a process of give and take. Singing the Lord’s name should become an exercise in mutual sharing of joy and holiness. It should be remembered that the sounds we produce reverberate in the atmosphere. They remain permanently in the ether as waves and outlast the individual uttering the sounds.
Community bhajans should not be treated as a pastime. When thousands of persons join in singing bhajans, they should be fully absorbed in the devotion and the ecstasy of that experience. The singing should be vibrant and soulful and not mechanical or uninspiring. It should combine bhava (feeling), raga (melody) and tala (rhythm). What delight can be experienced when all sing in chorus, with the same feeling, in the same tune and to the same timing! When there is such unity the Divine can be experienced.
Not all realize the potency and efficacy of reciting the Lord’s name. The first requisite is purity of thought, word and deed. The name that is uttered by the tongue should be meditated upon by the mind. What is uttered and dwelt upon should be hailed by clapping the hands. This threefold concentration on the Divine name – unity of mind, speech and action – purifies the heart and nourishes the feeling of devotion.
When the chanting of the Name is done in community singing, it should be in a form in which the entire group can participate easily. The tune, the rhythm, etc. should be such that all can follow the bhajan. If the lead singer takes up a song that is not familiar to others, the response from the group will be poor. There will be no enthusiasm or genuine participation. Their minds will be distracted. When all the devotees participate in the bhajan, the vibrations that are produced will generate joy and harmony.”
– Divine Discourse on Akhanda Bhajan day on November 8, 1986